ANTEDOOM

Screenwriter: Mirene Arsanios

Producer: Comissioned by Sharjah Art Foundation

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Editor: Frank Vetter

Sound Design: Nikolas Neeke

ANTEDOOM translates the unrepresentable brutality of our daily newsfeeds into an artistic language that peels away from single occurrences and describes a specific feeling of strain compared to the anxious moment before a medical diagnosis is announced. 

Derived from the term Anteroom – a small outer room used as a waiting room for medical inspections – ANTEDOOM refers to voyeuristic approaches to bodies, vulnerabilities and physical trauma, and in a broader sense to transparent bodies in connection to machines that have the ability to look through us. In their use within medical treatment as well as their everyday deployment at border inspections and other contemporary forms of surveillance and wide-ranging data-collection.

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Setareh Shahbazi compiles and transforms micro-narratives through conversations, collaborations, visual notes and found photographs: images from public archives and private collections, snapshots, film stills, newspapers, social media and daily newsfeeds. With a playful irreverence to the sanctity of a photograph as a mirror of reality, she drains details out of images. In trying to make sense of their broken narratives, their impossible translations into different contexts, temporalities and languages, she is constantly shifting perspectives to allow these observations to come together in a fictional afterlife. Setareh Shahbazi studied Scenography, Visual Art and Media Theory at Karlsruhe University of Arts and Design and spent the following years living and working between Beirut, Tehran, Cairo and Berlin, where she is currently based. Her work has been shown in solo shows at Tarahane Azad, Tehran; Gypsum Gallery, Cairo; 98weeks Project Space, Beirut; Contemporary Arts Forum, Santa Barbara; Galerie Sfeir-Semler, Hamburg; Montgomery, Berlin and at Karlsruher Kunstverein. She has participated in international group shows, including nbk, Berlin; Depo, Istanbul; 17 Essex, NY; Nottingham Comtemporary, UK; Sharjah Biennial 13; UAE; Kadist Art Foundation, Paris; Kunsthaus Wien; Beirut Art Center, Lebanon; Asar Gallery, Tehran; Program, Berlin; Kunstverein Frankfurt; Sfeir-Semler Gallery, Beirut; HKW, Berlin; Fondation Cartier, Paris and Rooseum, Malmö.

Setareh Shahbazi

Setareh Shahbazi compiles and transforms micro-narratives through conversations, collaborations, visual notes and found photographs: images from public archives and private collections, snapshots, film stills, newspapers, social media and daily newsfeeds. With a playful irreverence to the sanctity of a photograph as a mirror of reality, she drains details out of images. In trying to make sense of their broken narratives, their impossible translations into different contexts, temporalities and languages, she is constantly shifting perspectives to allow these observations to come together in a fictional afterlife. Setareh Shahbazi studied Scenography, Visual Art and Media Theory at Karlsruhe University of Arts and Design and spent the following years living and working between Beirut, Tehran, Cairo and Berlin, where she is currently based. Her work has been shown in solo shows at Tarahane Azad, Tehran; Gypsum Gallery, Cairo; 98weeks Project Space, Beirut; Contemporary Arts Forum, Santa Barbara; Galerie Sfeir-Semler, Hamburg; Montgomery, Berlin and at Karlsruher Kunstverein. She has participated in international group shows, including nbk, Berlin; Depo, Istanbul; 17 Essex, NY; Nottingham Comtemporary, UK; Sharjah Biennial 13; UAE; Kadist Art Foundation, Paris; Kunsthaus Wien; Beirut Art Center, Lebanon; Asar Gallery, Tehran; Program, Berlin; Kunstverein Frankfurt; Sfeir-Semler Gallery, Beirut; HKW, Berlin; Fondation Cartier, Paris and Rooseum, Malmö.

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