In 1961, fourteen years after India gained independence from Britain, the Indian Armed Forces defeated the last remaining Portuguese colonizers in the newly formed state of Goa. The artist’s father was eighteen at the time, and had just moved away from his small village of Curchorem to Bombay for school when news reached him about his home—now free from the oppression of a foreign hand after 450 years of colonial rule. After spending years thinking about questions of identity, liberation, and the movement of people across space and time, the artist finds himself returning to this period in search of moments of anti-colonial solidarity across continents. His research took him from the shores of Goa, to Indonesia, Mozambique, and Angola, finding brief links between nascent liberation movements and his father’s biography. Combining 16mm footage with drone videography, montages from the “parallel cinema” movement in India, desktop screen-grabs, and Skype interviews with his father, the resulting film utilizes various methods and modes of seeing at a distance to question the construction of artifice, memory, and identity through the moving image.
