Synopsis: When his father dies, Dib, his younger brother and their mother (Yasmine Khlat) move away from their hometown Quneitra to Damascus. The mother’s despotic father reluctantly takes them in and tries to force the mother to remarry. Overwhelmed by the magic of the city, Dib wants to discover everything and is full of dreams but his daily life is shaped by insults and punishments. Dib grows up against a backdrop of the political upheavals of the 1950s (the end of the military dictatorship in Syria and the nationalization of the Suez Canal, Nasser’s taking of power in Cairo, Egyptian and Syrian unification in 1958) and loses his childish illusions in the face of such violence and brutality. The dreams of the city prove to be a nightmare. Mohammad Malas’ partly autobiographical debut film marked the transition to auteur cinema in Syria and signaled the arrival of a generation of Syrian filmmakers whose work offered a subversive challenge to the status quo within an industry rigorously controlled by the state.
