Libretto-o-o

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Libretto-o-o is an exploration of the history and resonance of Middle Eastern opera. Shot across six historically significant opera houses in Algiers, Beirut, Cairo, Marrakech, Muscat, and Tunis – some of which were never completed, others ranking amongst the most lavish theaters ever constructed – this architecture film offers a meditative portrait of the grand theater; and the poetics, drama, and politics that fade into its proscenium. This film is part of a larger body of artworks exploring the storied history of opera houses in 11 Arab countries,reflecting on history, desire and estrangement, nationhood and mythology, extinction and exile, and includes a collection of short fiction, a large scale opera curtain, and other sculptures and sounds.

Joe Namy
Joe Namy is an artist and musician based in London, who often works collaboratively on public sculptures, sound installations, and performances. Namy’s work considers the social construction of sound and the forces that enable its transmission. Some projects have addressed the gender dynamics of bass, or the migration patterns of instruments, and the translation between languages, between score and sound, between drum and dance. Other projects by Namy explore the history and resonance of opera houses in the Middle East and the archive of Egyptian-American musician Halim El-Dabh, a pioneer of electronic music.

Joe Namy

Joe Namy is an artist and musician based in London, who often works collaboratively on public sculptures, sound installations, and performances. Namy’s work considers the social construction of sound and the forces that enable its transmission. Some projects have addressed the gender dynamics of bass, or the migration patterns of instruments, and the translation between languages, between score and sound, between drum and dance. Other projects by Namy explore the history and resonance of opera houses in the Middle East and the archive of Egyptian-American musician Halim El-Dabh, a pioneer of electronic music.

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