Through the story of a son reconstructing his father’s revolutionary past from a diary, Soueid draws a portrait of two generations of men, fathers and sons, who were revolutionaries of the 1970s. This is a poetic flight in time, back to when young men dreamed of changing the world with their own hands, and forward to a present where young men just want the security of a salaried job. At the same time, MY HEART BEATS ONLY FOR HER is a film about Lebanon’s schizophrenic modern history, caught in between the neoliberal lure of financial capitalism and the internationalist dreams of revolution. Between its sudden kindness and unforeseen brutality. Between Hong Kong and Hanoi.
