Sin La Habana

Cinematographer: Juan Pablo Ramirez AMC

Screenwriter: Pablo Herrera Veitia, Kaveh Nabatian

Subtitle: English

Languages: , ,

Country: ,

Editor: Sophie Leblond

A young, impoverished Afro-Cuban couple dreams of wealth and success. A Canadian Iranian-Jewish divorcée yearns for personal freedom. These three lives converge in Sin La Habana, a film in which power, money, creativity, and destiny intertwine into a passionate love triangle, with a hint of magic, where cultures clash in a torrid dance. Leo, a talented ballet dancer, and Sara, a lawyer, yearn for a better life together by leaving Cuba; one sure way is for him to romance a hapless tourist. This plan works all too well, as the lonely Nasim quickly falls for Leo’s charm, and soon makes his dreams come true by inviting him to Montreal. A visual feast featuring stunning cinematography that captures the sultry heat and colors of Cuba in sun-drenched scenes and pulsing rhythms, Sin La Habana is a poetic and sensitive portrayal of dreams, ambition, and the search for fulfillment.

Kaveh Nabatian
Kaveh Nabatian is an Iranian-Canadian director and musician whose evocative filmmaking has brought to life stories from the margins of society and across the world: Haiti, Nunavut, Cuba, India, New York and beyond. His film work ranges from A Crack in Everything, a feature doc about Leonard Cohen, to masterminding the Rotterdam-premiering, experimental, seven-director anthology feature The Seven Last Words, to his Canadian Screen Award-nominated feature narrative debut, the Cuba-set and shot Sin La Habana, which won multiple awards from international film festivals, was a New York Times Critic’s Pick, and holds an 91% approval rating on Rotten Tomatoes. His most recent film, the award-winning Kite Zo A: Leave the Bones, is a sensorial documentary feature shot in Haiti, made in collaboration with Haitian musicians, poets, Vodou priests, fishermen, and daredevil rollerbladers. It had its international premiere at SXSW and won the Canadian Screen Award for Best Cinematography in a Documentary. His cinematic collaborations with musicians and dancers include projects with Aurora, Arcade Fire, The Barr Brothers, Leif Vollebekk, Clara Furey, and Axelle Munezero. And as a composer and trumpet player, he’s toured the world and released several critically-acclaimed albums with his Juno award-winning band Bell Orchestre. Committed to cinema education and outreach, Kaveh has worked with emerging filmmakers at Haiti’s Artists Institute and in the Alqonquin community of Kitigan Zibi. With a restless creative spirit that transcends genre boundaries, Kaveh

Kaveh Nabatian

Kaveh Nabatian is an Iranian-Canadian director and musician whose evocative filmmaking has brought to life stories from the margins of society and across the world: Haiti, Nunavut, Cuba, India, New York and beyond. His film work ranges from A Crack in Everything, a feature doc about Leonard Cohen, to masterminding the Rotterdam-premiering, experimental, seven-director anthology feature The Seven Last Words, to his Canadian Screen Award-nominated feature narrative debut, the Cuba-set and shot Sin La Habana, which won multiple awards from international film festivals, was a New York Times Critic’s Pick, and holds an 91% approval rating on Rotten Tomatoes. His most recent film, the award-winning Kite Zo A: Leave the Bones, is a sensorial documentary feature shot in Haiti, made in collaboration with Haitian musicians, poets, Vodou priests, fishermen, and daredevil rollerbladers. It had its international premiere at SXSW and won the Canadian Screen Award for Best Cinematography in a Documentary. His cinematic collaborations with musicians and dancers include projects with Aurora, Arcade Fire, The Barr Brothers, Leif Vollebekk, Clara Furey, and Axelle Munezero. And as a composer and trumpet player, he’s toured the world and released several critically-acclaimed albums with his Juno award-winning band Bell Orchestre. Committed to cinema education and outreach, Kaveh has worked with emerging filmmakers at Haiti’s Artists Institute and in the Alqonquin community of Kitigan Zibi. With a restless creative spirit that transcends genre boundaries, Kaveh

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