This Bitter Earth

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Animator: Nazanin Noroozi

This Bitter Earth is an experimental stop-motion film centered around found footage and archival images from viral news stories juxtaposed with hand painted Super 8 family movie frames. The film encompasses four main image series reconsidered and revisited in multiple: the 2020 downing of Ukraine International Airlines Flight 752 by the Iranian government; the devastating explosion at the Port of Beirut, Lebanon in 2020; the last U.S. airplane leaving Afghanistan in 2021 after the military’s withdrawal; and home footage of a childhood birthday party in Iran. Imagery from Super 8 home videos serves as a foil to the political permutations of instability and insecurity. Punctuating the historical horrors around them, the birthday party Noroozi depicts in print and paper pulp becomes tinged with tension, as though the celebrants are anticipating a disruption to their joy. By blurring and distorting the home videos and news footage alike, Noroozi removes the individuality of her subjects to allow viewers to insert themselves and their own stories into the found images. She universalizes otherwise personal feelings of uncertainty, anxiety, and despondence: a sense of sadness at the loss of life, despair at betrayal of principle, and the helplessness of losing control of one’s destiny ripple out globally

Nazanin Noroozi
Nazanin Noroozi is a multi-disciplinary artist working with moving images, printmaking, and alternative photography processes to grapple with personal archive, collective history, and displacement. Noroozi’s work has been widely exhibited at galleries and museums across the world including Baxter Camera Club NYC; SPACES, Cleveland, OH; NY Live Arts; Athopos, Athens, Greece; Immigrant Artist Biennial; Noyes Museum of Art, NJ; School of Visual Arts Chelsea Gallery; and Golestani Gallery, Düsseldorf, Germany. Her works are in public collections such as New York Public Library, Harvard Art Museum, Arizona State University, and Alfred University. She is the recipient of awards and fellowships from New York Foundation for the Arts in Film and Video, Marabeth Cohen-Tyler Print/Paper Fellowship at Dieu Donné, Artistic Freedom Initiative, Elizabeth Foundation for the Arts, and Mass MoCA residency. Her works have been featured in various publications and media including, British Journal of Photography, Die Zeit Magazine, Brooklyn Rail, Elephant Magazine, and Financial Times. She is the editor-at-large of Meta-Text, Kaarnama Journal of Art History and Criticism’s artist projects. Noroozi moved to New York City in 2012 and received her MFA in 2015 from Pratt Institute, Brooklyn. She lives and works in the city.

Nazanin Noroozi

Nazanin Noroozi is a multi-disciplinary artist working with moving images, printmaking, and alternative photography processes to grapple with personal archive, collective history, and displacement. Noroozi’s work has been widely exhibited at galleries and museums across the world including Baxter Camera Club NYC; SPACES, Cleveland, OH; NY Live Arts; Athopos, Athens, Greece; Immigrant Artist Biennial; Noyes Museum of Art, NJ; School of Visual Arts Chelsea Gallery; and Golestani Gallery, Düsseldorf, Germany. Her works are in public collections such as New York Public Library, Harvard Art Museum, Arizona State University, and Alfred University. She is the recipient of awards and fellowships from New York Foundation for the Arts in Film and Video, Marabeth Cohen-Tyler Print/Paper Fellowship at Dieu Donné, Artistic Freedom Initiative, Elizabeth Foundation for the Arts, and Mass MoCA residency. Her works have been featured in various publications and media including, British Journal of Photography, Die Zeit Magazine, Brooklyn Rail, Elephant Magazine, and Financial Times. She is the editor-at-large of Meta-Text, Kaarnama Journal of Art History and Criticism’s artist projects. Noroozi moved to New York City in 2012 and received her MFA in 2015 from Pratt Institute, Brooklyn. She lives and works in the city.

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