This two-part program puts the weird, dark, supernatural, and fantastical at center stage. It looks at how these often–underexploredmodes of the strange narrate complex historical, geopolitical, and socio-cultural realities, while opening an imaginary world of speculation and possibility. Through the enchanted otherworldliness of the spirit world, expanding universes, understated dread, and the coming to life of that what should remain petrified, these films not only mash up conceptions of time and space, but also blur the boundaries between human and nonhuman, life and nonlife.
The works in the program travel through colonial pasts, extractivist presents, and improbable futures, rendering time and geography fluid and haunted. Landscapes, in the form of forests, waterways, deserts and mountains, become animate. While there is always a suggestion of looming catastrophe and implied violence lurking underneath, there is also an immense sense of potential. A grain of sand slumbers in the mountain’s belly, patiently waiting to transform into something else.
By drawing on folklore, mythology, science, and the intricate entanglements between deep geological time and human historical time, these artists and filmmakers address topical issues such as dispossession, migration, protracted political, and resource extraction. Here dead matter morphs into live matter, ghosts slip into reverie, disquiet awakens desire, and fabulation destabilizes rigid belief systems.
Curated by Nat Muller
Program (Part 2):
I Feel Everything, Jumana Emil Abboud, Palestine, 2020, 9 min.
Then Came Dark, Marie-Rose Osta, Lebanon, 2021, 15 min.
The Mountain, Ghassan Salhab, Lebanon, 2010, 83 min. – To watch The Mountain go to link here. (Geo restrictions apply)
