Akram Zaatari
, 2012
, 32 min
In 1998, Zaatari interviewed Egyptian photographer Van Leo in Cairo. In 2001 he made the video Her + Him VAN LEO and based it on the story of a woman who once entered Studio Van Leo and asked the artist to take pictures of her naked. At the time, Zaatari had access to a few of the…
Joana Hadjithomas and Khalil Joreige
, 2003
, 43 min
It all began with an e-mail: On May 22, 2000 a print of our first feature film, Around the Pink House, disappeared in Yemen under strange circumstances. It was a historic day, the tenth anniversary of the country’s reunification of South and North. We make films in an area of the world that is barely interested…
Maher Abi Samra
, 2016
, 67 min
Today, having a live-in maid in Lebanon is no longer a luxury nor a distinction of social class, but a common practice for upper and middle (mostly urban) classes since the end of the Lebanese Civil War in 1990. Domestic work is a real market in Lebanon, segmented according to the nationality and ethnicity of…
September 2022
Maher Abi Samra, Marwa Arsanios, Jumana Manna, Christian Ghazi
SOCIAL STUDIES features works by Maher Abi Samra, Marwa Arsanios, Christian Ghazi & Jumana Manna. This program presents Christian Ghazi’s 1969 film A Hundred Faces for a Single Day in conversation with three films from Lebanon and Palestine made between 2008 and 2016. Ghazi’s avant-garde cinematic manifesto captures a society at the cusp between Lebanon’s so-called Golden Age and…
August 2022
ArteEast is excited to announce the U.S premiere of Memory Box by Joana Hadjithomas And Khalil Joreige at Film Forum starting August 5! All 7:40 pm shows from August 5 – 11 will be followed by a Q&A with the filmmakers recorded especially for this event. The Q&A is co-presented by ArteEast, and moderated by ArteEast Film Programs Curator Ginou Choueiri. SPECIAL DISCOUNTED TICKETS FOR ARTEEAST AUDIENCES! USE THE PROMO CODE ARTEEAST AT CHECKOUT. For tickets…
July 2022
Ahmad Ghossein, Ghassan Halwani, Marwa Arsanios
This selection of films draws from ArteEast’s ArteArchive to explore the notion of absence–that which is erased, missing or forgotten–as a central theme in the works of Lebanese filmmakers Marwa Arsanios, Ahmad Ghossein, and Ghassan Halwani Both Marwa Arsanios and Ghassan Halwani use animation as a means to render that which is invisible visible, while Halwani also uses…
April 2022
Marianne Fahmy, Maha Maamoun, Setareh Shahbazi, Yto Barrada, Malak Helmy, Lara Baladi
Monuments & Flowers Curated by Regine Basha Monuments & Flowers brings together a selection of seminal video work by women artists culled from the archives of ArteEast with the work of contemporary voices including Yto Barrada, Lara Baladi, Marianne Fahmy, Malak Helmy Maha Maamoun and Setareh Shahbazi with Mirene Arsanios. How do we reflect upon…
March 2022
Mohamed Soueid
Mohamed Soueid came of age in the Beirut of the early 1970s, when over forty movie theaters were operating in the Lebanese capital, offering lovers of cinema something possibly unique in terms of geo-artistic variety. Not only could Lebanese moviegoers watch the latest European and American films, both arthouse and commercial, but thanks to very…
November 2021
Mona Benyamin, Akram Zaatari, Emily Jacir
Ib’atli Gawab / Signed, Sealed, Delivered: On longing and political resistance through epistolary forms in four essay-films. Inspired by two love songs—Sabah Fakhri’s Ib’atli Gawab (Arabic for “send an answer my way”) and Stevie Wonder’s Signed, Sealed, Delivered—this program explores the affective and political potential of letter-writing and other epistolary forms through four films by Mona Benyamin, Emily…
September 2021
Mohamed Soueid, Walid Raad, Jayce Salloum
RECONSTRUCTING HISTORIES examines the role of the documentary in representing the Lebanese Civil War (1975–1990) through the experimental works of three important Lebanese post-war artists/filmmakers: Walid Raad, Jayce Salloum, and Mohamad Soueid. The Lebanese Civil War officially ended after the 1989 Taif Accord, granting amnesty to those who committed war crimes, allowing these same figures to…
