Winter 2014
Alya Sebti, Wafa Gabsi
By Alya Sebti and Wafa Gabsi Winter 2014 | Gallery This issue marks the last installment of a six-quarter cycle of the Gallery that spotlights artists from the Maghreb leading up to the 2014 edition of the Marrakech Biennial. Each subsequent gallery will showcase artists who deal with the every day in their work to reveal the conceptual…
By Alya Sebti and Wafa Gabsi Winter 2014 | Gallery Ils l’ont vu surgir avant de le faire surgir d’eux-mêmes. Ils l’ont observé, ils l’ont interrogé, ils l’ont domestiqué. Les papillons se brûlent les ailes infiniment. Les humains créent perpétuellement. A chacun sa tragédie du feu. C’est quand ils ont maîtrisé le feu que les humains ont inventé…
Alya Sebti, Wafa Gabsi, Nidhal Chemekh
By Nidhal Chemekh, Alya Sebti and Wafa Gabsi Winter 2014 | Gallery Nidhal Chemekh’s visual art has often been described as unsettling. His artistic exploration unfolds around complex and fragmented shapes whose meaning is often blurred, almost absent. His designs evolve in accidents, without a predetermined logic that binds one form to another. What we see is an outburst…
Alya Sebti, Wafa Gabsi, Simohammed Fettaka
By Simohammed Fettaka, Alya Sebti and Wafa Gabsi Winter 2014 | Gallery The artist plays the role of the interviewer,it’s a film about the municipal elections in Tangier, 2009,campaign, discussions, interviews, symbols. Who to vote for and why? The machine can only count in binaries, 0 and 1.0 : not powered1 : powered.This work represents a simplification of relationships…
Winter 2013
Wafa Gabsi
By Wafa Gabsi, Editor Winter 2013 | ArteZine This issue marks the second installment of a six-quarter cycle of the Virtual Gallery that spotlights artists from the Maghreb leading up to the 2014 edition of the Marrakech Biennial. Each subsequent gallery will showcase artists who deal with the every day in their work to reveal the…
By Wafa Gabsi Winter 2013 | ArteZine L’histoire innove, dérive, titube. Elle change de rail, se déroute: le contre-courant suscité par un courant se mêle au courant, et, le déroutant, devient courant. Edgar Morin, Pour Entrer dans le XXIe siècle (2004) Morcelée, c’est ainsi que nous apparaît la construction en séquences de la récente histoire de…
Fall 2013
Alya Sebti, Wafa Gabsi, Berenice Saliou, Yasmina Reggad
By Alya Sebti, Wafa Gabsi, Berenice Saliou and Yasmina Reggad Fall 2013 | ArteZine This issue marks the fifth installment of a six-quarter cycle of the Virtual Gallery that spotlights artists from the Maghreb leading up to the 2014 edition of the Marrakech Biennial. Each subsequent gallery will showcase artists who deal with the every day in their work to…
